Latin American Institute Film Screenings

"Disparos" (AE-Autoexposure) Film Screening

"Disparos" (AE-Autoexposure) Film Screening

By Brazilian director Juliana Reis

Wednesday, October 08, 2014
7:30 PM - 9:00 PM
Melnitz Hall 1409
UCLA James Bridges Theater

Gustavo Machado plays Henrique, an arrogant hotshot photographer in Rio de Janeiro. One eventful night, following a photo shoot in the city’s suburbs, his camera is stolen in an attempted carjacking. Five seconds later, he watches both get hit by a pickup truck driven by a self-appointed avenger.  

A crowd gathers and a traumatized Henrique speeds away, but returns soon afterwards to retrieve his camera memory card, only to be arrested for leaving the scene of the crime. From that moment, he is trapped in a situation where he doesn’t know whether he is victim, witness or accomplice. 

Based on true events.

82 minutes | In Portuguese with English subtitles

 
The film is distributed by 8 Star Entertainment.

 

Cost: Free and open to the public

Special Instructions

Parking Information: The closest parking lot is Structure #3. Visitors may purchase daily parking permits (Currently $12) by stopping at the Information & Parking kiosks (cash only) or by using a "Pay by Space" pay station. The closest information booth to Structure #3 is located on Hilgard and Charles E Young Drive N. To use a Parking Pay Station: Simply drive to a self-service Pay Station location (there is one located in Structure #3). Please read the posted signs and screen prompts for Pay by Space. Pay Stations allow you to select the time you need to spend on campus and pay accordingly (all-day passes can also be purchased). UCLA maps and driving directions

For more information please contact

Nancy Gomez Tel: 310-825-4571
ngomez@international.ucla.edu

Download File: Disparos10-08-14-2b-gli.pdf

Sponsor(s): Center for Brazilian Studies, Spanish and Portuguese, Brazilian Ministry of Foreign Affairs through the Consulate General of Brazil- Los Angeles and Department of Spanish and Portuguese