"A magnificent work by a stellar Filipino/a American scholar attuned to the transnational and cross-racial dimensions of embodied struggle....The book displays the very astonishing creativity and sense of possibility that it brings to light."
—Neferti Tadiar, Barnard College
Lucy Mae San Pablo Burns, an Associate Professor in the Asian American Studies Department at UCLA, has come out with a new scholarly work, exploring the emergence of Filipino American theater and performance from the early 20th century to the present. Puro Arte: Filipinos on the Stages of Empire stresses the Filipino performing body’s location as it conjoins colonial histories of the Philippines with U.S. race relations and discourses of globalization.
“Puro arte,” translated from Spanish into English, simply means “pure art.” In Filipino, however, puro arte performs a much more ironic function, gesturing rather to the labor of over-acting, histrionics, playfulness, and purely over-the-top dramatics. In this book, puro arte functions as an episteme, a way of approaching the Filipino/a performing body at key moments in U.S.-Philippine imperial relations, from the 1904 St. Louis World’s Fair, early American plays about the Philippines, Filipino patrons in U.S. taxi dance halls, to the phenomenon of Filipino/a actors in Miss Saigon. Using this varied archive, Puro Arte turns to performance as an object of study and as a way of understanding complex historical processes of racialization in relation to empire and colonialism
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Published: Friday, December 07, 2012